- Gulda Beethoven Piano Sonatas Rare Earth
- List Of Beethoven Piano Sonatas
- Gulda Beethoven Piano Sonatas Rare
- Beethoven Piano Sonata 17
Sample | Title/Composer | Performer | Time | |
---|---|---|---|---|
Piano Sonata No. 1 in F minor, Op. 2/1 | ||||
1 | 03:32 | |||
2 | 04:35 | |||
3 | 02:34 | |||
4 | 04:38 | |||
Piano Sonata No. 2 in A major, Op. 2/2 | ||||
5 | 06:23 | |||
6 | 06:32 | |||
7 | 02:39 | |||
8 | 05:56 | |||
Piano Sonata No. 3 in C major, Op. 2/3 | ||||
9 | 09:49 | |||
10 | 05:50 | |||
11 | 02:43 | |||
12 | 04:42 |
Sample | Title/Composer | Performer | Time | |
---|---|---|---|---|
Piano Sonata No. 4 in E flat major ('Grand Sonata'), Op. 7 | ||||
1 | 07:29 | |||
2 | 07:02 | |||
3 | 04:50 | |||
4 | 05:56 | |||
Piano Sonata No. 5 in C minor, Op. 10/1 | ||||
5 | 04:58 | |||
6 | 07:18 | |||
7 | 03:55 | |||
Piano Sonata No. 6 in F major, Op. 10/2 | ||||
8 | 05:02 | |||
9 | 03:15 | |||
10 | 03:37 |
Alfred Brendel I (stereo) 1961 - 1964 - Vox-Turnabout. When Brendel set our to record Beethoven for Vox-Turnabout, it wasn't just the complete sonatas but indeed the (more or less) complete solo works for piano that he put on record. Brendel wasn't always proud of his early recordings and he went on to record the sonatas twice more for Philips.
Sample | Title/Composer | Performer | Time | |
---|---|---|---|---|
Piano Sonata No. 7 in D major, Op. 10/3 | ||||
1 | 06:27 | |||
2 | 08:01 | |||
3 | 02:53 | |||
4 | 03:36 | |||
Piano Sonata No. 8 in C minor ('Pathétique'), Op. 13 | ||||
5 | 08:18 | |||
6 | 05:17 | |||
7 | 04:20 | |||
Piano Sonata No. 9 in E major, Op. 14/1 | ||||
8 | 06:18 | |||
9 | 03:04 | |||
10 | 03:12 | |||
Piano Sonata No. 10 in G major, Op. 14/2 | ||||
11 | 06:59 | |||
12 | 04:51 | |||
13 | 02:50 |
This page lists all recordings of Piano Sonatas Nos. 1-32 by Ludwig van Beethoven (1770-1827). Beethoven: Sonatas/Gulda. Review by: Jed Distler. Artistic Quality: 10 Sound Quality: 9. Brilliant Classics makes Friedrich Gulda’s 1967 Amadeo Beethoven cycle available on the American market for the first time since Philips’ mid-1980s reissue. Amadeo’s own CD edition was marred by fake reverb and only one access track per sonata. Piano Sonatas (Complete) (Friedrich Gulda), a Compilation of songs by Friedrich Gulda. Released in 2005 on (catalog no. Genres: Classical Period.
![Gulda Beethoven Piano Sonatas Rar Gulda Beethoven Piano Sonatas Rar](https://pxhst.co/avaxhome/b1/d8/004bd8b1.jpg)
Sample | Title/Composer | Performer | Time | |
---|---|---|---|---|
Piano Sonata No. 11 in B flat major, Op. 22 | ||||
1 | 06:50 | |||
2 | 05:38 | |||
3 | 03:05 | |||
4 | 05:09 | |||
Piano Sonata No. 12 in A flat major ('Funeral March'), Op. 26 | ||||
5 | 06:51 | |||
6 | 02:25 | |||
7 | 07:04 | |||
8 | 02:37 | |||
Piano Sonata No. 13 in E flat major ('Quasi una fantasia'), Op. 27/1 | ||||
9 | 05:03 | |||
10 | 01:50 | |||
11 | 02:29 | |||
12 | 05:07 | |||
Piano Sonata No. 14 in C sharp minor ('Moonlight'), Op. 27/2 | ||||
13 | 06:29 | |||
14 | 02:31 | |||
15 | 06:53 |
Sample | Title/Composer | Performer | Time | |
---|---|---|---|---|
Piano Sonata No. 15 in D major ('Pastoral'), Op. 28 | ||||
1 | 09:03 | |||
2 | 06:11 | |||
3 | 02:01 | |||
4 | 04:55 | |||
Piano Sonata No. 16 in G major, Op. 31/1 | ||||
5 | 05:58 | |||
6 | 07:56 | |||
7 | 06:00 | |||
Piano Sonata No. 17 in D minor ('Tempest'), Op. 31/2 | ||||
8 | 07:09 | |||
9 | 07:55 | |||
10 | 05:53 |
Gulda Beethoven Piano Sonatas Rare Earth
Sample | Title/Composer | Performer | Time | |
---|---|---|---|---|
Piano Sonata No. 18 in E flat major ('Hunt'), Op. 31/3 | ||||
1 | 07:53 | |||
2 | 04:19 | |||
3 | 03:48 | |||
4 | 04:19 | |||
Piano Sonata No. 19 in G minor, Op. 49/1 | ||||
5 | 05:01 | |||
6 | 03:04 | |||
Piano Sonata No. 20 in G major, Op. 49/2 | ||||
7 | 04:25 | |||
8 | 03:15 | |||
Piano Sonata No. 21 in C major ('Waldstein'), Op. 53 | ||||
9 | 09:25 | |||
10 | 02:45 | |||
11 | 08:26 | |||
Piano Sonata No. 22 in F major, Op. 54 | ||||
12 | 05:15 | |||
13 | 05:22 |
Sample | Title/Composer | Performer | Time | |
---|---|---|---|---|
Piano Sonata No. 23 in F minor ('Appassionata'), Op. 57 | ||||
1 | 07:35 | |||
2 | 05:32 | |||
3 | 07:24 | |||
Piano Sonata No. 24 in F sharp major ('A Thérèse'), Op. 78 | ||||
4 | 06:20 | |||
5 | 02:55 | |||
Piano Sonata No. 25 in G major ('Cuckoo'), Op. 79 | ||||
6 | 04:29 | |||
7 | 02:35 | |||
8 | 01:51 | |||
Piano Sonata No. 26 in E flat major ('Les Adieux'), Op. 81a | ||||
9 | 06:00 | |||
10 | 03:17 | |||
11 | 05:12 | |||
Piano Sonata No. 27 in E minor, Op. 90 | ||||
12 | 04:34 | |||
13 | 06:01 |
Sample | Title/Composer | Performer | Time | |
---|---|---|---|---|
Piano Sonata No. 28 in A major, Op. 101 | ||||
1 | 03:40 | |||
2 | 06:26 | |||
3 | 09:58 | |||
Piano Sonata No. 29 in B flat major ('Hammerklavier'), Op. 106 | ||||
4 | 09:28 | |||
5 | 02:19 | |||
6 | 13:42 | |||
7 | 11:24 |
Sample | Title/Composer | Performer | Time | |
---|---|---|---|---|
Piano Sonata No. 30 in E major, Op. 109 | ||||
1 | 05:46 | |||
2 | 11:05 | |||
Piano Sonata No. 31 in A flat major, Op. 110 | ||||
3 | 06:05 | |||
4 | 01:53 | |||
5 | 09:10 | |||
Piano Sonata No. 32 in C minor, Op. 111 | ||||
6 | 08:38 | |||
7 | 15:32 |
List Of Beethoven Piano Sonatas
![Beethoven piano sonatas youtube Beethoven piano sonatas youtube](https://0f469d6f2fa468202d31-6b0d87410f7cc1525cc32b79408788c4.ssl.cf2.rackcdn.com/1979/75395932_1.jpg)
Gulda Beethoven Piano Sonatas Rare
blue highlight denotes track pickBeethoven Piano Sonata 17
Our relationship to Beethoven is a deep and paradoxical one. For many musicians, he represents a kind of holy grail: His music has an intensity, rigor, and profundity which keep us in its thrall, and it is perhaps unequalled in the interpretive, technical, and even spiritual challenges it poses to performers. At the same time, Beethoven’s music is casually familiar to millions of people who do not attend concerts or consider themselves musically inclined. Two hundred years after his death, he is everywhere in the culture, yet still represents its summit.This course takes an inside-out look at the 32 piano sonatas from the point of view of a performer. Each lecture will focus on one sonata and an aspect of Beethoven’s music exemplified by it. (These might include: the relationship between Beethoven the pianist and Beethoven the composer; the critical role improvisation plays in his highly structured music; his mixing of extremely refined music with rougher elements; and the often surprising ways in which the events of his life influenced his compositional process and the character of the music he was writing.) The course will feature some analysis and historical background, but its perspective is that of a player, not a musicologist. Its main aim is to explore and demystify the work of the performer, even while embracing the eternal mystery of Beethoven’s music itself. This season's Curtis courses are sponsored by Linda Richardson in loving memory of her husband, Dr. Paul Richardson. The Dolfinger-McMahon Foundation supports Curtis's lifelong learning initiatives.